<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Music Technology on 0zkMusic</title><link>https://www.0zkmusic.com/tags/music-technology/</link><description>Recent content in Music Technology on 0zkMusic</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>© 0zkMusic. All rights reserved.</copyright><lastBuildDate>Tue, 28 Jul 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.0zkmusic.com/tags/music-technology/index.xml" rel="self" type="application/rss+xml"/><item><title>KORG: The Company That Made the Future Playable</title><link>https://www.0zkmusic.com/articles/korg-synthesizer-history/</link><pubDate>Tue, 28 Jul 2026 00:00:00 +0000</pubDate><guid>https://www.0zkmusic.com/articles/korg-synthesizer-history/</guid><description>&lt;p&gt;KORG has never had only one sound.&lt;/p&gt;
&lt;p&gt;Moog is inseparable from the monumental sweep of its ladder filter. Roland can be reduced—unfairly, but recognizably—to a family of drum machines, acid bass lines and polished Japanese polysynths. KORG is harder to compress into a single image. Its history runs from mechanical rhythm discs to raw patch-cable analog machines, from glassy digital wave sequences to complete studios hidden inside a keyboard.&lt;/p&gt;</description><media:content xmlns:media="http://search.yahoo.com/mrss/" url="https://www.0zkmusic.com/articles/korg-synthesizer-history/feature-korg-history.webp"/></item></channel></rss>